🌈 FILMS - TECHNICOLOR --------------------------------------- - [x] Black Narcissus (1947) 7.8 101m kan hbo - [x] The Red Ballon (1956) 8.2 34m - [x] The Importance of Being Earnest (1952) 7.5 95m - [x] Heaven Can Wait (1943) 7.4 112m crit - [x] Leave Her to Heaven (1945) 7.6 110m - [x] Niagara (1953) 7.0 92m - [x] Scaramouche (1952) 7.5 115m - [x] The Naked Spur (1953) 7.3 91m gu - [x] All That Heaven Allows (1955) 7.6 89m - [x] The River (1951) 7.4 99m hbo cri - [x] Written in the Wind (1956) 7.4 99m - [x] The African Queen (1951) 7.7 105m gu - [x] The Life and Death of Colonel Blimp (1943) 8.1 163m hbo - [x] Magnificent Obsession (1954) 108m 7.0 # cri - [x] Blithe Spirit (1945) 7.1 96m gu cri - [x] The 5,000 Fingers of Dr. T (1953) * 6.7 89m gu - [x] Nothing Sacred (1937) 77m 6.9 - [x] Summer Stock (1950) 108m 7.1 - [x] The Toll of the Sea (1922) 54m 6.5 silent - [x] She Wore a Yellow Ribbon (1949) 7.2 104m hbo - [x] Suspiria (1977) 99m 7.3 kan - [x] Tales of Hoffman (1951) 7.1 128m gu - [x] The Quiet Man (1952) 7.7 129m paramount - [x] The Secret Life of Walter Mitty (1947) * 6.9 110m kan - [x] Mr. Bug Goes to Town (1941) 6.9 78m - [x] The Caine Mutiny (1954) 7.7 124m - [x] Wizard of Oz (1939) 102m 8.1 hbo - [ ] Canyon Passage (1946) 6.9 92m - [ ] Dodge City (1939) 7.1 104m gu - [ ] Northwest Passage (1940) 7.0 126m - [ ] The Yearling (1946) 7.2 128m gu - [ ] Flowers and Trees (1932) - first american animated - [ ] Thunder in the Valley (1947) - [ ] The Greatest Show on Earth (1952) 6.6 152m kan - [ ] Henry V (1944) 7.0 137m hbo crit - [ ] For Whom the Bell Tolls (1943) 6.8 170m - [ ] The Garden of Allah (1936) 5.8 79m marelene Dietrich - [ ] Becky Sharp (1935) 84m 5.9 - first american live movie kan - [ ] The Boy with Green Hair (1948) 82m 6.7 - [ ] 3 Godfathers (1948) 7.1 106m - [ ] Little Women (1949) 7.2 122m - [ ] The Barefoot Contessa (1954) 128m 7.0 - [ ] Drums Along the Mohawk (1939) 100m 7.0 - [ ] Anchors Aweigh (1945) 140m 7.0 - [ ] Cobra Woman (1944) 5.7 71m - [ ] Duel in the Sun (1946) 6.8 129m gu - [ ] Trail of the Lonesome Pine (1936) 6.8 102m gu - [ ] Treasure Island (1950) 6.9 96m - [ ] Take Me Out to the Ball Game (1949) 93m 6.7 - [ ] Down Argentine Way (1940) 89m 6.4 - [ ] Blue Lagoon (1949) - [ ] Blood and Sand (1941) 6.8 125m - [ ] Quo Vadis (1951) 7.2 171m - [ ] A Star is Born (1937) - [ ] The Prisoner of Zenda (1952) 6.9 96m - [ ] Bigger than Life (1956) 7.5 95m - [ ] The Man from Laramie (1955) 7.3 103m - [ ] The Black Pirate (1926) 94m 7.1 - [ ] I'll Never Forget You (1951) 7.0 90m - [ ] The Women (1939) - [ ] The Sundowners (1950) 5.6 83m - [ ] Gangs All Here (1943) - [ ] Million Dollar Mermaid (1952) - [ ] The Jungle Book (1942) - [ ] The Little Colonel (1935) - [ ] The Desert Song (1943) - [ ] Calamity Jane (1953) - [ ] Cover Girl (1944) - [ ] The Crimson Pirate (1952) - [ ] Artists And Models (1955) - [ ] Moulin Rouge (1952) - [ ] Gulliver's Travels (1939) - [ ] The Secret Garden (1949) - [ ] The Inspector General (1949) - [ ] A Connecticut Yankee in King Arthur's Court (1949) - [ ] The Picture of Dorian Grey (1945) - [ ] Moulin Rouge (1952) - [ ] Ziegfeld Follies (1946) - [ ] The Virginian (1946) - [ ] Phantom of the Opera (1943) - [ ] King Solomon's Mines (1950) - [ ] April in Paris (1952) - [ ] On Moonlight Bay (1951) - [ ] Road to Bali (1952) - [ ] Good News (1947) - [ ] The Savage (1952) - [ ] Calamity Jane (1953) - [ ] Botany Bay (1953) - [ ] The Band Wagon (1953) - [ ] Show Boat (1951) - [ ] Destination Moon (1950) - [ ] Santa Fe (1951) - [ ] Quebec (1951) - [ ] Little Women (1949) - [ ] The Blue Lagoon (1949) - [ ] Melody Time (1948) - [ ] The Three Musketeers (1948) - [ ] Night and Day (1946) - [ ] State Fair (1945) - [ ] The Climax (1944) - [ ] Jungle Book (1942) - [ ] The Forest Rangers (1942) - [ ] The Mikado (1939) - [ ] I'll Never Forget You (1951) * - [ ] Has Anybody Seen My Gal (1952) - [ ] Million Dollar Mermaid (1952) - [ ] Foxfire (1955) - last american movie - [x] Wizard of Oz (1939) * - [x] 20,000 Leagues Under the Sea (1954) - [x] Robinson Crusoe on Mars (1964) - [x] The Thief of Bagdad (1940) - [x] The 7th Voyage of Sinbad (1958) - [x] The Adventures of Robin Hood (1938) * - [x] Gone With The Wind (1939) * - [x] Singin' in the Rain (1952) - [x] The Red Shoes (1948) - [x] When Worlds Collide (1951) - [x] Gentlemen Prefer Blondes (1953) - [x] The Trouble With Harry (1955) - [x] An American in Paris (1951) - [x] The War of the Worlds (1953) - [x] Alice in Wonderland (1951) - [x] This Island Earth (1955) - [x] Cinderella (1950) - [x] Under Capricorn (1949) - [x] The Adventures of Ichabod and Mr. Toad (1949) - [x] Rope (1948) - [x] Song of the South (1946) - [x] A Matter of Life and Death (1946) - [x] The Three Caballeros (1944) - [x] Meet Me in St. Louis (1944) - [x] Saludos Amigos (1942) - [x] Bambi (1942) - [x] Dumbo (1941) - [x] Pinocchio (1940) - [x] Fantasia (1940) - [x] Snow White and the Seven Dwarfs (1937) - [x] The Ladykillers (1955) - last british technicolor Documentaries - [x] Glorious Technicolor (1998) 60m lily color strip test the US dye transfer plant was closed and Technicolor became an Eastman-only processor. In 1977, the final dye-transfer printer left in Rome was used by Dario Argento to make prints for his horror film Suspiria https://letterboxd.com/hunter_biden/list/technicolor/by/popular/ three–color camera (Technicolor three–strip) films (1935-1955) https://www.imdb.com/list/ls071964296/ Technicolor is a series of color motion picture processes, the first version dating to 1916, and followed by improved versions over several decades. The first film using this process was the 1932 animated short Flowers and Trees, whereas the first live action feature was Becky Sharp, released in 1935. The new process would last until the last Technicolor feature film was produced in 1955. It was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Hollywood during the Golden Age of Hollywood. Technicolor's 3-color process became known and celebrated for its highly saturated color, and was initially most commonly used for filming musicals such as The Wizard of Oz (1939) and Down Argentine Way (1940), costume pictures such as The Adventures of Robin Hood (1938) and Gone with the Wind (1939), the film Blue Lagoon (1949), The Searchers (1956), and animated films such as Snow White and the Seven Dwarfs (1937), Gulliver's Travels (1939), and Fantasia (1940). As the technology matured it was also used for less spectacular dramas and comedies. Occasionally, even a film noir—such as Leave Her to Heaven (1945) or Niagara (1953)—was filmed in Technicolor. How Technicolor changed movies https://www.youtube.com/watch?v=Mqaobr6w6_I&t=3s Technicolor not only dominated color films for almost 40 years, it also dictated how films were made. Initially, Technicolor was only used for prestige projects like Gone with the Wind and The Wizard of Oz (both 1939). But three-strip began to be employed on more routine outings as the Hollywood studios sought to lure audiences away from their monochrome television sets. Ultimately, around 1,000 Technicolor features were produced into the mid-1950s before Eastman introduced a colour monopack that could be used in a conventional camera. Technicolor also received credit for The Wizard of Oz in 1939. The film, directed by Victor Fleming, had many of its classic elements dictated by the requirements of the Technicolor process. In fact, the iconic ruby slippers were originally silver, but producers decided the jewel tone would appear better. Horses were also dyed with Jello powder to produce vibrant hues. Technicolor employees were on set to ensure best results. So much studio lighting was used that temperatures could rise over 100 degrees on set. Technicolor's dominance in color film production went virtually unchallenged until the 1950s. Color movies had become much more popular, and cheaper processes became available. “Color by Technicolor” remained the gold standard, After an almost 50-year run, Technicolor's dye-transfer process finally phased out of use in the 1970s “Technicolor cameras and technicians were in very short supply, and a studio could make maybe eight Technicolor films a year at most. Maureen O''Hara - Queen of Technicolor (one of theme Maria Montez Natalie Klamus - 30 years color consultant until 1948; died in 1965 Eastman color replacement 5 / 1;